Seventy years later, the Holocaust continues to pose a challenge for filmmakers. Dramas like "Son of Saul" emerge with fresh formal experiments, while older works like "Shoah" endure as authoritative historical records.
Sergei Loznitsa’s disquieting new documentary “Austerlitz,” which premieres at the Venice International Film Festival, aims to show how the Nazi concentration camps are experienced today – not by survivors or historians, but the tourists who visit them.
