You're reading: The New Yorker: Putin’s Russia wrestles with the meaning of Trotsky and Revolution

On November 7 evening, just shy of a hundred years since the Bolshevik Revolution, viewers of Channel One—Russia’s primary state-run television network—were treated to the premiére of a lavish, big-budget series about Leon Trotsky, one of the main protagonists of the momentous events of October, 1917. In life, Trotsky was a ferociously talented orator and a brilliant organizer, who had grand ideas about the stream of history and his own role in it. The show portrays Trotsky as wielding a charismatic and forceful intellect, and as a man of style and passion, who, with equal alacrity, is able to win over peasant fighters to the Bolshevik cause and women to his embrace—while clad in squishy, head-to-toe black leather. I attended a screening last week, where Konstantin Ernst, the director of Channel One, brimmed with enthusiasm as he introduced the first episode, declaring that Trotsky had the air of a “rock-and-roll star” and could be thought of as the “executive producer” of the 1917 Revolution.

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